House is the four-to-the-floor backbone of club music: a steady kick on every beat, an offbeat hat driving the shuffle, and a bassline that answers the kick rather than competing with it. The family splits by what carries the hook — a bass riff in tech house, a chord pad in deep house, a piano stab in 90s piano house, a percussion ensemble in afro house.
118–130 BPM, with most club-ready material sitting at 124–128 BPM.
| Kick | Four-to-the-floor, short decay, tuned low so it does not mask the bass fundamental. |
|---|---|
| Clap / snare | On beats 2 and 4, usually layered clap + rim for width rather than a single loud hit. |
| Hats | Open hat on the offbeat 8ths; closed 16ths shuffled or swung to create the bounce. |
| Bass | Sidechained to the kick, mid-focused and syncopated in tech house, sustained and warm in deep house. |
| Hook | Either a bass riff, a chopped vocal phrase, a filtered stab or a chord loop — rarely more than one at a time. |
House grooves live or die on kick/bass separation. Sidechain the bass to the kick with a short attack and a release timed to roughly a 16th note, then high-pass everything else above the bass region so the low end has only two occupants.
The bounce in tech house and afro house comes from swung closed hats, shakers and ghost notes while the kick stays dead on the grid. Applying swing to the whole pattern makes the track feel slow instead of groovy.
Instead of adding new parts, mutate the hook: change one note, filter it, throw a delay on the last beat of an 8-bar cycle. Stems make this practical — mute the hook stem and re-record variations against the rest of the groove.
Each subgenre has its own prompt engine, tempo range and arrangement template. Open one to see example prompts and start a sketch.
Modern 2026 club weapon — bass hook + vocal phrase + tight 4x4 groove
Modern Deep House revival cycling 3 sub-styles: Modern (Josh Baker), Classic 2014-16 (Gorgon City/Route 94), Nu Disco (Finnebassen). Loop-based, vocal-led.
Building melodies with emotional energy
Emotional cinematic 90s progressive – warm analog pads with gentle detune drift, rolling offbeat basslines, minor 7th chords, tribal percussion with open hats, long plate reverb tails, soulful vocals, Balearic melancholy
Dark hypnotic late-90s warehouse progressive — A Dorian implied modal harmony (root A bass + occasional G stab), tight mono sub sidechained lightly, sharper transient dry kick, percussive micro-grooves with clicky rims and soft congas, 1-2 note Access Virus wavetable stabs, filtered synth stab textures pitched-down, short controlled reverb, propulsion not catharsis. 4AM concrete warehouse energy.
Deep groovy late-90s warm-up progressive — rolling 1-note basslines, shuffled 16th hats, implied harmony, tight dry kick, sparse looped vocal phrase, no peak-time drop. Late-90s UK warm-up set energy in the F# minor zone.
Classic UK progressive house & trance from 1993–2003 — rolling offbeat basslines, filtered acid lines, JP-8000 supersaw leads, Juno-106 warm pads, warehouse storytelling. Deep, anthem, driving acid, and euphoric Balearic flavours from the classic UK progressive / dark NYC warehouse era.
Percussion-driven 4x4 house fusing layered polyrhythmic African rhythms (congas, djembe, bongos, shakers) with Moog Sub 37 sub bass, Korg Minilogue pads, Juno-106 chords, and spiritual vocal elements. Gradual energy builds through percussion layering — no drops
Raw hypnotic machine funk -- TB-303 resonant squelch, accent-driven envelope spikes, sliding portamento, TR-808 raw drums, minimal harmony, loop-based filter evolution, analog instability
Second Summer of Love warehouse euphoria -- TB-303 high resonance with mandatory slide/accent, cutoff filter movement as the melody, raw TR-909/TR-808 machine-funk drums, M1 rave piano stabs, single tonal centre minor key, DJ-friendly hypnotic arrangement
House music fused with 1970s disco samples — Akai MPC2000 chopped loops, Juno-106 strings, funk guitar, horn stabs, filtered builds, Defected
Modern funk-infused disco house with live instrumentation feel
Euphoric 90s piano house with Korg M1 piano, diva vocals, Discomagic/Media Records sound
Relaxed, melodic house built around warm grooves, rounded bass, organic instrumentation and spacious harmonic detail
Modern UK club crossover 2026 — vocal-led 4x4 house at 124-130 BPM (sweet spot 126-128). Bouncy mid-focused house bass, catchy female pop-style hooks, clean radio-ready mix, groove-driven drops (NEVER EDM big-room explosion). Hook-first streaming-friendly arrangement (~2:45). Optional rave-hybrid flavour for variety.
Modern tech house groove reworking classic 90s rave samples — Korg M1 piano stabs, Akai S950 lo-fi crunch, Juno-106 string pads, chopped vocal hooks, heavy sidechained rolling bass, warehouse energy
Euphoric crossover rave with a clean rolling house groove, large piano chords, simple singable hooks and one clear melodic payoff.
Sketches are delivered as separated 48 kHz WAV stems, so you keep the parts you like and replace the rest in your own session.
Most house sits between 118 and 130 BPM. Deep house and organic house tend to sit at 120–124, tech house and disco house at 124–128, and harder club-focused house pushes to 128–130.
Tech house is bass-hook led: a syncopated mid-range bass riff plus a short vocal phrase over a tight, dry groove. Deep house is chord-led: sustained pads, warmer reverbs, softer drums and a bassline that supports the harmony rather than carrying the hook.
Yes. Every muzeme.io generation can be delivered as multitrack stems at 48 kHz WAV, so you can drop drums, bass, synths and vocals onto separate tracks and rebuild the arrangement yourself.
Pick a subgenre, describe the groove you want, and get an editable multitrack starting point back.
Start creating